"Misa Tango: I. Kyrie" by MartÍn Palmeri, Astoria, Philippe Gérard was released on June 4, 2021. Since Misa Tango: I. Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in MartÍn Palmeri, The New Baroque Times Voices, Philippe Gérard, Astoria's "Misa Tango" album is number 1 out of 9. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Misa Tango: I. Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Misa Tango: I. Kyrie by MartÍn Palmeri, Astoria, Philippe Gérard to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": II. De quelle douleur profonde | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Minor | 0 | 12A | 67 BPM | ||
Jesu, Meine Freude Bwv 358 | Nicol Matt, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Johann Sebastian Bach, Robert Sagasser, Nordic Chamber Choir, Jens Wollenschläger, Jörg Halobek, Martina Rotbauer, Ute Petersilge | D♭ Minor | 1 | 12A | 0 BPM | ||
Mass No.2 in G, D.167: 1. Kyrie | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Wiener Symphoniker, Uwe Christian Harrer | B♭ Major | 2 | 6B | 88 BPM | ||
Bach, JS: Mass in G Minor, BWV 235: Kyrie | Johann Sebastian Bach, Philippe Herreweghe/Chorus of Collegium Vocale, Ghent/Orchestra of Collegium Vocale, Ghent, Collegium Vocale Gent, Philippe Herreweghe, Orchestra of Collegium Vocale Gent | F♯ Minor | 1 | 11A | 142 BPM | ||
St. Matthew Passion, BWV 244: Pt. II: Chorale. Befiehl du deine Wege | Johann Sebastian Bach, Marcus Ullmann, Klaus Mertens, Anna Korondi, Anke Vondung, Werner Güra, Hans Christoph Begemann, Neubeuern Choral Society, KlangVerwaltung Orchestra, Enoch zu Guttenberg | B Minor | 2 | 10A | 102 BPM | ||
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Motetto de S. Joanne Baptista: I. Coro. Audite insulæ | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | A Major | 1 | 11B | 89 BPM | ||
Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Histoire du tango: Café 1930 | Astor Piazzolla, Marc Grauwels, Astoria, Christophe Delporte | D♭ Minor | 0 | 12A | 79 BPM |
Section: 0.6061453819274902
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