"Pagliacci: Act I: Vesti la giubba" by Ruggero Leoncavallo, Giovanni Zenatello, Studio pianist, Studio ensemble was released on January 4, 2011. The duration of Pagliacci: Act I: Vesti la giubba is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Pagliacci: Act I: Vesti la giubba's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "The Harold Wayne Collection, Vol. 18 (1907-1911)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Pagliacci: Act I: Vesti la giubba is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pagliacci: Act I: Vesti la giubba by Ruggero Leoncavallo, Giovanni Zenatello, Studio pianist, Studio ensemble having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Czardas | Vittorio Monti, Josef Sakonov, London Festival Orchestra | D Major | 4 | 10B | 82 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | ||
Estrellita | Manuel Ponce, Alfredo Kraus, Jose Luis Lloret, Orquesta De Camara De Madrid | G Major | 2 | 9B | 86 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Tosca: "E lucevan le stelle" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | B Minor | 2 | 10A | 87 BPM | ||
Pagliacci / Act II: "No, Pagliaccio non son" | Ruggero Leoncavallo, Joan Carlyle, Carlo Bergonzi, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | E♭ Major | 4 | 5B | 128 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: 1. Allegro non troppo e molto maestoso - Excerpt | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | D♭ Major | 3 | 3B | 78 BPM |
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