"Brideshead Revisited - Main Theme" by Philharmonia Orchestra, Geoffrey Burgon was released on 1992. The duration of Brideshead Revisited - Main Theme is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Brideshead Revisited - Main Theme's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 24 in Chronicles Of Narnia (Music From The BBC Television Series) by Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Brideshead Revisited - Main Theme is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brideshead Revisited - Main Theme by Philharmonia Orchestra, Geoffrey Burgon is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sunset Boulevard - Suite | Franz Waxman, Charles Gerhardt, National Philharmonic Orchestra | G Major | 1 | 9B | 72 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Hora Staccato | Grigoras Dinicu, James Galway, Charles Gerhardt | A♭ Major | 3 | 4B | 153 BPM | ||
Gianni Schicchi: O Mio Babbino Caro | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | A♭ Major | 2 | 4B | 84 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
Piano Concerto No. 21 in C Major, K. 467: 2. Andante | Wolfgang Amadeus Mozart, Vladimir Ashkenazy, Philharmonia Orchestra | B♭ Major | 2 | 6B | 91 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Bleak House - Finale | Philharmonia Orchestra, Geoffrey Burgon | C Major | 1 | 8B | 78 BPM | ||
Morning On The Beach | Jerry Goldsmith | C Major | 1 | 8B | 120 BPM |
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