"Piano Concerto No. 21 in C Major, K. 467: 2. Andante" by Wolfgang Amadeus Mozart, Vladimir Ashkenazy, Philharmonia Orchestra was released on May 28, 1979. Since Piano Concerto No. 21 in C Major, K. 467: 2. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Vladimir Ashkenazy, Philharmonia Orchestra's "Mozart: Piano Concertos Nos. 17 & 21" album is number 2 out of 6. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Piano Concerto No. 21 in C Major, K. 467: 2. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 21 in C Major, K. 467: 2. Andante by Wolfgang Amadeus Mozart, Vladimir Ashkenazy, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra) | Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia Orchestra | D♭ Major | 0 | 3B | 165 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM | ||
Piano concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Vadym Kholodenko, The Norwegian Radio Orchestra, Miguel Harth-Bedoya | G Minor | 0 | 6A | 80 BPM | ||
Handel: Concerto Grosso in B Minor, HWV 330: III. Larghetto e piano | George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra | E Major | 1 | 12B | 83 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Clarinet Concerto in A Major, K. 622: 2. Adagio | Wolfgang Amadeus Mozart, Antony Pay, Academy of Ancient Music, Christopher Hogwood | D Major | 0 | 10B | 79 BPM | ||
Water Music Suite No. 3 in G Major, HWV 350: IXX. Menuet - XX. Without Indication | George Frideric Handel, Orpheus Chamber Orchestra | E Major | 2 | 12B | 145 BPM | ||
Elgar: Salut d'amour, Op. 12 (Orchestral Version) | Edward Elgar, Northern Sinfonia Of England, Richard Hickox, Royal Northern Sinfonia | E Major | 1 | 12B | 56 BPM | ||
Waltz No.1 in E Flat, Op.18 -"Grande valse brillante" | Frédéric Chopin, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 131 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM |
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