"Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra)" by Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia Orchestra was released on August 9, 1994. With this song being about 5 minutes long, at 5:01, "Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra)" by Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 14 in Debussy: Greatest Hits by Claude Debussy, Paul Crossley, Michael Tilson Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra) is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra) by Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia Orchestra is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow: Overture | Franz Lehár, National Philharmonic Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 130 BPM | ||
Madama Butterfly - Opera in two acts (1986 Digital Remaster), Act II: Humming Chorus | Giacomo Puccini, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli | B♭ Major | 0 | 6B | 74 BPM | ||
Little Suite: 3. Left Bank Waltz | Peter Sculthorpe, David Porcelijn, Tasmanian Symphony Orchestra | C Major | 1 | 8B | 63 BPM | ||
Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 130 BPM | ||
Dead Things | Philip Glass | E♭ Major | 0 | 5B | 96 BPM | ||
Suite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressif | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
3 Gymnopédies: Gymnopedie No. 1 | Erik Satie, Klara Kormendi | G Major | 0 | 9B | 99 BPM | ||
Suite bergamasque, CD 82, L. 75: III. Clair de Lune | Claude Debussy, Inon Barnatan | D♭ Major | 0 | 3B | 67 BPM | ||
Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | B♭ Minor | 1 | 3A | 70 BPM |
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