George Frideric Handel, Erzsebet Achim, Budapest Strings, Karoly Botvay made "Organ Concerto No. 1 in G Minor, Op. 4, No. 1, HWV 289: III. Adagio" available on January 1, 1994. With Organ Concerto No. 1 in G Minor, Op. 4, No. 1, HWV 289: III. Adagio being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Erzsebet Achim, Karoly Botvay's "Handel, G.F.: Organ Concertos Nos. 1-6" album is number 6 out of 23. On top of that, United States appears to be the country where this track was created. In terms of popularity, Organ Concerto No. 1 in G Minor, Op. 4, No. 1, HWV 289: III. Adagio is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Organ Concerto No. 1 in G Minor, Op. 4, No. 1, HWV 289: III. Adagio by George Frideric Handel, Erzsebet Achim, Budapest Strings, Karoly Botvay to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Acis and Galatea, HWV 49a, Act II: Would You Gain The Tender Creature (Coridon) | George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Simon Berridge | A Major | 2 | 11B | 129 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Let the Bright Seraphim from Samson, HWV 57 - Voice | George Frideric Handel, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | D Major | 1 | 10B | 103 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Oboe Concerto in D minor: 2. Adagio | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 79 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM |
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