"Manon Lescaut / Act 1: Donna non vidi mai" by Giacomo Puccini, José Carreras, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly was released on January 1, 2011. The duration of Manon Lescaut / Act 1: Donna non vidi mai is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Manon Lescaut / Act 1: Donna non vidi mai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 14 in Carreras singt Puccini by Giacomo Puccini, José Carreras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Manon Lescaut / Act 1: Donna non vidi mai is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Manon Lescaut / Act 1: Donna non vidi mai by Giacomo Puccini, José Carreras, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
The Tsar's Bride, Act I: You Will Pay ("Lyubasha's Aria") | Nikolai Rimsky-Korsakov, Anita Rachvelishvili, Giacomo Sagripanti, Orchestra Sinfonica Nazionale Della RAI | G Minor | 0 | 6A | 74 BPM | ||
Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
Suor Angelica: "Senza mamma, o bimbo, tu sei morto" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | A Minor | 1 | 8A | 92 BPM | ||
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
Martha: M´apparì, tutt´amor | Carlo Bergonzi, Orchestra Sinfonica e Coro di Torino della RAI, Massimo Pradella | F Major | 2 | 7B | 68 BPM |
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