"Wagner: Tannhäuser, Act 3: "Wie Todesahnung, Dämmrung deckt die Lande" (Wolfram)" by Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson was released on 1995. The duration of Wagner: Tannhäuser, Act 3: "Wie Todesahnung, Dämmrung deckt die Lande" (Wolfram) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Wagner: Tannhäuser, Act 3: "Wie Todesahnung, Dämmrung deckt die Lande" (Wolfram)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 58 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Wagner: Tannhäuser, Act 3: "Wie Todesahnung, Dämmrung deckt die Lande" (Wolfram)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Tannhäuser, Act 3: "Wie Todesahnung, Dämmrung deckt die Lande" (Wolfram) by Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" | Giuseppe Verdi, Thomas Hampson, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | B♭ Major | 2 | 6B | 95 BPM | ||
Stabat Mater: 4. Pro peccatis suae gentis | Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | C Major | 3 | 8B | 80 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest" | Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 128 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Stabat Mater, FP 148: 5. Quis est homo | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 3 | 8A | 97 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
Rusalka, Op. 114 / Act 2: Kvetiny bile po ceste | Antonín Dvořák, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 92 BPM | ||
Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | Gustav Mahler, René Kollo, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 56 BPM |
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