"Symphonie romane, Op. 73: I. Moderato" by Charles-Marie Widor, Joseph Nolan was released on February 26, 2016. Since Symphonie romane, Op. 73: I. Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Widor - The Organ Symphonies, Vol. 5: The Cavaillé-Coll Organs of La Madeleine, Paris and Saint-Sernin, Toulouse by Charles-Marie Widor, Joseph Nolan. The song's track number on the album is #5 out of 8 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Symphonie romane, Op. 73: I. Moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphonie romane, Op. 73: I. Moderato by Charles-Marie Widor, Joseph Nolan has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Symphonie romane, Op. 73: I. Moderato being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigaudon de Louis XIV in C Major | Jean-Baptiste Lully, Ian Tracey | A♭ Major | 3 | 4B | 173 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Liszt: Präludium und Fuge über der Namen BACH, S. 260i: Präludium | Franz Liszt, Stephen Cleobury | G Major | 1 | 9B | 64 BPM | ||
Enigma Variations: Variation IX. Nimrod - Adagio | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | E♭ Major | 1 | 5B | 137 BPM | ||
Fanfare für Orgel: Resurrection | Alexander Därr | D Major | 0 | 10B | 112 BPM | ||
Suite No. 2: Toccata | Louis Vierne, Olivier Latry | B♭ Minor | 5 | 3A | 75 BPM | ||
Sortie in G Minor | Louis James Alfred Lefébure-Wély, Daniel Roth | F Major | 4 | 7B | 78 BPM | ||
Missa Salisburgensis: I. Kyrie | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 78 BPM | ||
Widor: Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata | Charles-Marie Widor, Marie-Claire Alain | F Major | 4 | 7B | 59 BPM | ||
Flourish for an Occasion | William Harris, Peter Holder | E♭ Major | 1 | 5B | 106 BPM |
Section: 0.6565999984741211
End: 0.6595251560211182