Charles-Marie Widor, Marie-Claire Alain's 'Widor: Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata' came out on 1970. With this song being about 5 minutes long, at 5:28, "Widor: Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata" by Charles-Marie Widor, Marie-Claire Alain is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Widor : Organ Symphonies Nos 4 - 6 & 9, Organ Symphonies 1 - 3 [Excerpts] (Apex) by Charles-Marie Widor, Marie-Claire Alain. The song's track number on the album is #26 out of 26 tracks. Based on our data, France was the country where this track was produced or recorded. Widor: Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Widor: Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata by Charles-Marie Widor, Marie-Claire Alain has a tempo of 59 beats per a minute, the tempo markings of this song would be Lento (slowly). With Widor: Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata being at 59 BPM, the half-time would be 30 BPM with a double-time of 118 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1: Prélude | Louis Vierne, Olivier Latry | C Major | 0 | 8B | 83 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: III. Andante sostenuto | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | A♭ Major | 2 | 4B | 93 BPM | ||
Organ Symphony No. 8 in B Major, Op. 42 No. 4: V. Adagio | Charles-Marie Widor, Christian Schmitt | D♭ Major | 0 | 3B | 88 BPM | ||
The Stars and Stripes Forever - arr. Rawsthorne, Coventry Cathedral | John Philip Sousa, Noel Rawsthorne | E♭ Major | 4 | 5B | 112 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Trumpet Voluntary | London Concert Orchestra | D Major | 2 | 10B | 101 BPM | ||
Sortie in E flat | Louis James Alfred Lefébure-Wély, William McVicker | B♭ Major | 1 | 6B | 89 BPM | ||
Pomp and Circumstance, Op. 39: March No. 1 in D Major | Edward Elgar, Noel Rawsthorne | D Major | 2 | 10B | 84 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM |
Section: 0.9826409816741943
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