"Enigma Variations: Variation IX. Nimrod - Adagio" by Edward Elgar, Sir Colin Davis, London Symphony Orchestra was released on June 5, 2007. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 16 in Elgar: Enigma Variations, Introduction & Allegro by Edward Elgar, London Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Enigma Variations: Variation IX. Nimrod - Adagio's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: Variation IX. Nimrod - Adagio by Edward Elgar, Sir Colin Davis, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | G Major | 2 | 9B | 93 BPM | ||
The Banks of Green Willow | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 90 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: III. Andante sostenuto | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | A♭ Major | 2 | 4B | 93 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 133 BPM | ||
Habanera | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | A Major | 0 | 11B | 80 BPM | ||
2 Elegiac Melodies, Op. 34: II. The Last Spring | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM |
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