"Rigaudon de Louis XIV in C Major" by Jean-Baptiste Lully, Ian Tracey was released on November 16, 2008. The duration of Rigaudon de Louis XIV in C Major is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Rigaudon de Louis XIV in C Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Organ Music from St. Jude's Church, Southsea". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. The popularity of Rigaudon de Louis XIV in C Major is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigaudon de Louis XIV in C Major by Jean-Baptiste Lully, Ian Tracey having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thésée, LWV 51, Prologue: "Qu'il passe au gré de ses désirs" (Mars, Vénus, Bacchus, Cérès, chœur de moissonneurs, de sylvains et de bacchantes) | Jean-Baptiste Lully, Guilhem Worms, Les Talens Lyriques, Chœur De Chambre De Namur, Christophe Rousset | F Major | 2 | 7B | 166 BPM | ||
Réjouissance | David John Hicken, David Hicken | D Minor | 1 | 7A | 76 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Suite gothique, Op. 25: I. Introduction - Choral | Léon Boëllmann, Gerard Brooks | B♭ Major | 1 | 6B | 110 BPM | ||
Six Sonatas for Organ, Op. 65: Sonata No. 1 in F Minor, II. Adagio | Felix Mendelssohn, Jos Van Der Kooy | D Minor | 0 | 7A | 51 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Chaconne des Scaramouches, Trivelins et Arlequins (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 2 | 7B | 64 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod (Arr. D. Bishop for Organ) | Edward Elgar, Daniel Bishop | E♭ Major | 0 | 5B | 90 BPM | ||
Suite in D Major: Serenade | Jeremiah Clarke, Bernhard Kratzer, Monika Nuber | D Major | 0 | 10B | 80 BPM | ||
Atys, LWV 53, Acte III, Scène 4: Prélude. "Dormons, dormons tous" (Le Sommeil) | Jean-Baptiste Lully, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Michel Laplénie, Les Arts Florissants, William Christie | F♯ Minor | 0 | 11A | 100 BPM |
Section: 0.5956132411956787
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