Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks made "Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 6, —" available on January 1, 2016. Since Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 6, — is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 12 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 6, — is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 6, — by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite, No. 2: IV. Farandole | Georges Bizet, Jean Martinon | D Major | 7 | 10B | 77 BPM | ||
Romeo and Juliet, No. 1, Op. 64bis: VII. Death of Tybalt | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Major | 3 | 10B | 82 BPM | ||
Turandot, SC 91, Act III: Nessun dorma! | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 1 | 10B | 135 BPM | ||
The New Four Seasons - Winter: I. Freezing and Shivering (After Violin Concerto No. 4, Op. 8, RV 297, I. Allegro non molto, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 3, — | Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann | B♭ Minor | 2 | 3A | 76 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: 4. Zion Hears The Watchmen Singing BWV 140 (arr. orchestra) | Johann Sebastian Bach, Royal Philharmonic Orchestra, James Morgan | E♭ Major | 0 | 5B | 111 BPM | ||
Teil 7 - Folge 10: Lebende Bilder - toter Mann | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Gesche Schultes-Schmoll, Klaus Miedel, Klaus Jepsen, Wolfgang Condrus, Andreas Thieck | A♭ Major | 5 | 4B | 108 BPM | ||
Ungarische Galoppe Oder Frischka, Op. 36: No. 2 In A Major | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 1 | 12B | 170 BPM | ||
I vespri siciliani / The Four Seasons: IV. Autumn (Transcr. Luigi Pecchia for Strings and Piano) | Giuseppe Verdi, I Musici, Francesco Buccarella | G Major | 1 | 9B | 144 BPM | ||
Divertimento No. 1, Op. 20: III. Marosszeki keringos (Waltz of Marosszek) | Leó Weiner, Budapest Strings, Karoly Botvay | A Major | 0 | 11B | 133 BPM |
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