Leó Weiner, Budapest Strings, Karoly Botvay's 'Divertimento No. 1, Op. 20: III. Marosszeki keringos (Waltz of Marosszek)' came out on January 1, 1994. With Divertimento No. 1, Op. 20: III. Marosszeki keringos (Waltz of Marosszek) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Orchestral Music (Hungarian) - Kauer, F. / Csermak, A. / Rozsavolgyi, M. / Weiner, L. (Hungarian Dances)". In this album, this song's track order is #32. Based on our statistics, Divertimento No. 1, Op. 20: III. Marosszeki keringos (Waltz of Marosszek)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Divertimento No. 1, Op. 20: III. Marosszeki keringos (Waltz of Marosszek) by Leó Weiner, Budapest Strings, Karoly Botvay having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in E Major, S 49, WoO 1: II. Andante | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | E Minor | 0 | 9A | 180 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des écoliers et des ribaudes | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Kinderstücke Nr. 4 Op. 182 flor Flute & Orchestra | Carl Albert Loeschhorn, José Manuel Ortega Caballo | A Minor | 0 | 8A | 94 BPM | ||
Symphony No. 4 in F Minor Op. 36: IV. Finale: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Tokyo Symphony Orchestra, Jonathan Nott | F Minor | 5 | 4A | 147 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
25 Études faciles et progressives, Op. 100: No. 22, Barcarolle | Franz Burgmüller, The Gerst Ensemble | A♭ Major | 0 | 4B | 58 BPM | ||
He Hopes I Go Crazy | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | F Major | 3 | 7B | 80 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 5, Intermezzo. Allegro appassionato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
Magyar gyermek- és népdalok: No. 5, Gyergyói verbunk | Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi | A Minor | 1 | 8A | 97 BPM |
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