George Frideric Handel, Victor Alexeyev, Collegium Musicum's 'Sinfonie "The Arrival of the Queen of Sheba" from Solomon' came out on 1994. The duration of Sinfonie "The Arrival of the Queen of Sheba" from Solomon is about 3 minutes long, at 3:19. Based on our data, "Sinfonie "The Arrival of the Queen of Sheba" from Solomon" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Collegium Musicum, Victor Alexeyev's "Infinity Digital: Concerti Grossi" album is number 26 out of 26. On top of that, United States appears to be the country where this track was created. Based on our statistics, Sinfonie "The Arrival of the Queen of Sheba" from Solomon's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sinfonie "The Arrival of the Queen of Sheba" from Solomon by George Frideric Handel, Victor Alexeyev, Collegium Musicum to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ゴルトベルク変奏曲 ト長調/アリア(『羊たちの沈黙』より) | クリスティアーヌ・ジャコッテ | D Minor | 2 | 7A | 171 BPM | ||
Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM | ||
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | A♭ Major | 1 | 4B | 120 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 1. Allegro molto appassionato | Felix Mendelssohn, Henryk Szeryng, Concertgebouworkest, Bernard Haitink | E Minor | 1 | 9A | 90 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Rinaldo / Act 3: Recitativo: La causa che vi spinge | George Frideric Handel, Bejun Mehta, Bernarda Fink, Daniel Taylor, Academy of Ancient Music, Christopher Hogwood | A♭ Minor | 1 | 1A | 82 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (opening) | Pyotr Ilyich Tchaikovsky, Joseph Banowetz, Slovak Radio Symphony Orchestra, Ondrej Lenard | D♭ Major | 2 | 3B | 85 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM |
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