On August 17, 2022, the song "ゴルトベルク変奏曲 ト長調/アリア(『羊たちの沈黙』より)" was released by クリスティアーヌ・ジャコッテ. The duration of ゴルトベルク変奏曲 ト長調/アリア(『羊たちの沈黙』より) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. ゴルトベルク変奏曲 ト長調/アリア(『羊たちの沈黙』より)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 映画の中のクラシック サスペンス、ミステリー映画集, so we believe that "ゴルトベルク変奏曲 ト長調/アリア(『羊たちの沈黙』より)" is a single. The popularity of ゴルトベルク変奏曲 ト長調/アリア(『羊たちの沈黙』より) is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of ゴルトベルク変奏曲 ト長調/アリア(『羊たちの沈黙』より) by クリスティアーヌ・ジャコッテ is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 94 in G Major, "Surprise": II. Andante | Joseph Haydn, Heribert Beissel, Philharmony Bonn | C Major | 0 | 8B | 111 BPM | ||
Violin Sonata in E Minor, Op. 82: III. Allegro non troppo | Edward Elgar, Atanas Kareev, Lee Suk-Bin | B Minor | 1 | 10A | 82 BPM | ||
Concerto For 2 Flutes, C-Major, RV 533: I. Allegro | Musici di San Marco, Alberto Lizzio | F♯ Major | 1 | 2B | 119 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Waltz No.6 in D flat major, Minute Waltz Op. 64 No.1 | Ketevan Badridze | D♭ Major | 1 | 3B | 130 BPM | ||
Má vlast (My Country): No. 3, Šárka | Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 1 | 11B | 95 BPM | ||
Brandenburg Concerto No.3 In G Major, 1st Movement | Philharmonia Slavonica | G Major | 3 | 9B | 172 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
Solomon, HWV 67, Act III: No. 42 Symphony: Arrival of the Queen of Sheba | George Frideric Handel, Daniel Reuss, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 106 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Stephen Kovacevich | A♭ Major | 0 | 4B | 126 BPM |
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