"3 Quarter-Tone Pieces: Allegro" by Charles Ives, Joel Sachs, Cheryl Seltzer, Continuum was released on March 1, 2005. The duration of 3 Quarter-Tone Pieces: Allegro is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 3 Quarter-Tone Pieces: Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Ives's "Ives: Three Quarter-Tone Pieces / Five Take-Offs / Hallowe'En / Sunrise" album is number 16 out of 17. Based on our statistics, 3 Quarter-Tone Pieces: Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Quarter-Tone Pieces: Allegro by Charles Ives, Joel Sachs, Cheryl Seltzer, Continuum to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | ||
Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Amanda Forsyth, Pinchas Zukerman, Canada's National Arts Centre Orchestra | D Major | 1 | 10B | 175 BPM | ||
Violin Concerto: I. Praeludium | György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 1 | 8B | 138 BPM | ||
D'un matin de printemps | Lili Boulanger, Orchestre National De Lyon, Nikolaj Szeps-Znaider | C Major | 1 | 8B | 142 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat | Hector Berlioz, Leonard Bernstein, New York Philharmonic | C Minor | 4 | 5A | 121 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
String Quartet No. 1, Op. 20: I. Allegro violento ed agitato | Alberto Ginastera, Enso String Quartet | G Major | 3 | 9B | 157 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: I. Animé et très décidé | Claude Debussy, Juilliard String Quartet | G Minor | 2 | 6A | 72 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM |
Section: 0.577064037322998
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