"Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat" by Hector Berlioz, Leonard Bernstein, New York Philharmonic was released on 1964. Since Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Berlioz: Symphonie fantastique, Op. 14, H. 48 by Hector Berlioz, Leonard Bernstein, New York Philharmonic. Based on our statistics, Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat by Hector Berlioz, Leonard Bernstein, New York Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Prince Igor: Polovtsian Dances (Remastered): No. 17d, Presto | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 104 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IVa. Finale. Presto - Allegro assai | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 96 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto - Live | Johannes Brahms, Gidon Kremer, Wiener Philharmoniker, Leonard Bernstein | E Major | 2 | 12B | 119 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 90 BPM | ||
Clarinet Concerto In A, K.622: 2. Adagio - Live | Wolfgang Amadeus Mozart, Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Symphony No. 5 in D Minor, Op. 47: III. Largo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B Minor | 1 | 10A | 83 BPM | ||
Reenah | Anonymous, Leonard Bernstein, Rochester Singers, Samuel Adler | D♭ Major | 1 | 3B | 109 BPM | ||
Violin Concerto: Fly Forward | Jennifer Higdon, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Minor | 3 | 8A | 139 BPM |
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