Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air, "Laissez-vous toucher par mes pleurs" (Orphée, Spectres, Furies, Démons) - Choeur en rondeau, "Qui t'amène en ces lieux" (Orphée, Spectres, Furies, Démons) - Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon Information

Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon's 'Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air, "Laissez-vous toucher par mes pleurs" (Orphée, Spectres, Furies, Démons) - Choeur en rondeau, "Qui t'amène en ces lieux" (Orphée, Spectres, Furies, Démons)' came out on 1989. With this song being about 5 minutes long, at 4:54, "Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air, "Laissez-vous toucher par mes pleurs" (Orphée, Spectres, Furies, Démons) - Choeur en rondeau, "Qui t'amène en ces lieux" (Orphée, Spectres, Furies, Démons)" by Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Christoph Willibald Gluck, Sir John Eliot Gardiner/Anne Sofie von Otter/Barbara Hendricks/Brigitte Fournier/Monteverdi Choir/Orchestre de l'Opéra National de Lyon, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon's "Gluck: Orphée et Euridice" album is number 23 out of 43. On top of that, France appears to be the country where this track was created. Based on our statistics, Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air, "Laissez-vous toucher par mes pleurs" (Orphée, Spectres, Furies, Démons) - Choeur en rondeau, "Qui t'amène en ces lieux" (Orphée, Spectres, Furies, Démons)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air, "Laissez-vous toucher par mes pleurs" (Orphée, Spectres, Furies, Démons) - Choeur en rondeau, "Qui t'amène en ces lieux" (Orphée, Spectres, Furies, Démons) BPM

We consider the tempo marking of Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air, "Laissez-vous toucher par mes pleurs" (Orphée, Spectres, Furies, Démons) - Choeur en rondeau, "Qui t'amène en ces lieux" (Orphée, Spectres, Furies, Démons) by Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 1: Air, "Laissez-vous toucher par mes pleurs" (Orphée, Spectres, Furies, Démons) - Choeur en rondeau, "Qui t'amène en ces lieux" (Orphée, Spectres, Furies, Démons) Key

C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.