Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza's 'Gli strali d'amore (after Italian arias by A. Campra): Aria: Ch'io viva senza te (Leonora)' came out on October 4, 2011. The duration of Gli strali d'amore (after Italian arias by A. Campra): Aria: Ch'io viva senza te (Leonora) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Gli strali d'amore (after Italian arias by A. Campra): Aria: Ch'io viva senza te (Leonora)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 34 in Campra: Gli strali d'amore by Fabio Bonizzoni. In terms of popularity, Gli strali d'amore (after Italian arias by A. Campra): Aria: Ch'io viva senza te (Leonora) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gli strali d'amore (after Italian arias by A. Campra): Aria: Ch'io viva senza te (Leonora) by Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto | Johann Sebastian Bach, Fabio Bonizzoni | G Major | 4 | 9B | 104 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Battalia À 10: Sonata (Biber) | Jordi Savall | A Minor | 2 | 8A | 128 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Messa della Domenica: IV. Agnus Dei | Giovanni Salvatore, Stirps Jesse Ensemble, Fabio Bonizzoni, Enrico De Capitani | C Major | 1 | 8B | 102 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Sonata in G Major, "La Felicite": I. Lentement - Allegro | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | F♯ Major | 2 | 2B | 75 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM |
Section: 0.6299657821655273
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