"Four Walls, Act I: I" by John Cage, Alexei Lubimov was released on July 1, 2022. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 15 in Cage: Four Walls by John Cage, Alexei Lubimov. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Four Walls, Act I: I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Four Walls, Act I: I by John Cage, Alexei Lubimov is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Iberia: X. Malaga | Isaac Albéniz, Belle Chen | F♯ Major | 1 | 2B | 82 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
20 Regards sur l'enfant-Jésus: I. Regard du Pere | Olivier Messiaen, Håkon Austbø | F♯ Major | 0 | 2B | 57 BPM | ||
Act IV: Bed, Aria | Philip Glass Ensemble | G Major | 1 | 9B | 174 BPM | ||
Klavierstück in E Minor - 3 | Anton Webern, Jean-Jacques Dünki | E Minor | 0 | 9A | 111 BPM | ||
Musica ricercata No. 7 in B-Flat Major | György Ligeti, Khatia Buniatishvili | E♭ Major | 0 | 5B | 87 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM |
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