"Missa Brevis op. 102: Agnus Dei" by Knut Nystedt, Borg vokal, Tore Erik Mohn had its release date on September 18, 2023. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Norske messer. Borg Vokal". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Norway. The popularity of Missa Brevis op. 102: Agnus Dei is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Brevis op. 102: Agnus Dei by Knut Nystedt, Borg vokal, Tore Erik Mohn having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Precious Lord (Arr. for Choir by Arnold Sevier) | Thomas Dorsey, National Youth Choir Of Great Britain, Lisa Graham | B♭ Major | 1 | 6B | 104 BPM | ||
Crucifixus | Antonio Lotti, Armonico Consort, Christopher Monks | C Minor | 1 | 5A | 127 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
The Isle is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 104 BPM | ||
Nunc dimittis in G Major | Herbert Sumsion, The Ecclesium Choir, David Leigh, Philip Stopford | E Minor | 1 | 9A | 119 BPM |