Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" - Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber Information

Acousticness: 97%
Danceability: 31%
Energy: 19%
Instrumentalness: 0%
Liveness: 8%
Loudness: 71%
Speechiness: 6%
Valence: 12%
Popularity: 8%
Loudness: -17.283 dB

Summary

"Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen"" by Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber was released on January 1, 1973. Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. This song is part of Weber: Der Freischütz by Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber. The song's track number on the album is #6 out of 30 tracks. Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" BPM

Since Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" by Carl Maria von Weber, Edith Mathis, Staatskapelle Dresden, Carlos Kleiber has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Der Freischütz, J. 277 / Act 3: "Einst träumte meiner sel'gen Base" - "Trübe Augen, Liebchen, taugen" Key

G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Tristan und Isolde, WWV 90 / Act 1: "Tristan! - Isolde! Treuloser Holder!"	Richard Wagner, Margaret Price, Brigitte Fassbaender, René Kollo, Dietrich Fischer-Dieskau, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber	C Major	4	8B	78 BPM
Die Fledermaus / Act 2: "Dieser Anstand, so manierlich"	Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber	C Major	2	8B	173 BPM
Oberon, J.306 / Act 1: "Leicht, wie Feentritt nur geht"	Carl Maria von Weber, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Rafael Kubelík	C Major	3	8B	141 BPM
Mathis Der Maler, 6th Tableau, Scene 1: Der liebste Vater, eer verstand mich (Regina/Mathis)	Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra	G Minor	0	6A	87 BPM
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist"	Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber	G Major	1	9B	50 BPM
Carmen, WD 31 / Act I: Introduction: "Sur la place chacun passe"	Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy	E Major	0	12B	79 BPM
Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle"	Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin	C Major	1	8B	66 BPM
Tristan und Isolde / Act 3: Bist du nun tot? ...O Wonne! Freude!	Richard Wagner, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber	E Major	1	12B	78 BPM
Les nuits d'été, Op.7: 2. Le spectre de la rose	Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis	D Major	0	10B	88 BPM
Rusalka, Op. 114 / Act 2: Jiz tyden dlis po boku	Antonín Dvořák, Ben Heppner, Eva Urbanova, Czech Philharmonic Orchestra, Sir Charles Mackerras	A♭ Major	2	4B	167 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.0051064491271973

End: 1.0087578296661377