Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 1. Cantabile - Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel Information

Acousticness: 91%
Danceability: 30%
Energy: 3%
Instrumentalness: 0%
Liveness: 10%
Loudness: 56%
Speechiness: 4%
Valence: 41%
Popularity: 6%
Loudness: -26.266 dB

Summary

Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel made "Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 1. Cantabile" available on January 1, 1989. The duration of Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 1. Cantabile is about 3 minutes long, at 3:06. Based on our data, "Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 1. Cantabile" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 70 in the song's album "Telemann: Banquet Music in three Parts". In this album, this song's track order is #5. Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 1. Cantabile is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 1. Cantabile BPM

With Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 1. Cantabile by Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Tafelmusik - Banquet Music In 3 Parts / Production 1 - 5. Solo: 1. Cantabile Key

This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo	Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi	B♭ Major	0	6B	92 BPM
Concerto Grosso in B Minor, Op. 6 No. 12, HWV 330: III. Aria. Larghetto e piano	George Frideric Handel, Akademie für Alte Musik Berlin, Bernhard Forck	E♭ Major	1	5B	127 BPM
Partie 5 en ut majeur: Aria	Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl	B Major	2	1B	100 BPM
Violin Sonata in G Major, Op. 5, No. 12: III. Largo	Jean-Marie Leclair, Trio Settecento	D Minor	1	7A	110 BPM
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace	Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana	F Major	2	7B	198 BPM
Sonata in D Major, No. 1: II. Allegro	Arcangelo Corelli, Lucy van Dael, Bob van Asperen	D♭ Major	2	3B	109 BPM
Sonata in D Major, No. 1: IV. Adagio	Arcangelo Corelli, Lucy van Dael, Bob van Asperen	B♭ Minor	1	3A	96 BPM
Macbeth: End of Act 4 – The Earl of Douglas’s Lament	Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon	B♭ Major	1	6B	136 BPM
Pygmalion: Overture	Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset	E♭ Minor	1	2A	136 BPM
Concerto for Viola, Strings and Continuo in G Major, TWV 51:G9: IV. Presto	Georg Philipp Telemann, Nils Mönkemeyer	G Major	3	9B	134 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7104396820068359

End: 0.7183551788330078