Karl Binder made "Can Can (De l'opéra-bouffe "Orphée aux Enfers")" available on January 1, 2006. The duration of Can Can (De l'opéra-bouffe "Orphée aux Enfers") is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Can Can (De l'opéra-bouffe "Orphée aux Enfers")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vive l'opérette ! (Les plus grands succès, d'Offenbach à Francis Lopez) by Various Artists. The song's track number on the album is #1 out of 101 tracks. The popularity of Can Can (De l'opéra-bouffe "Orphée aux Enfers") is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Can Can (De l'opéra-bouffe "Orphée aux Enfers") by Karl Binder has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Can Can (De l'opéra-bouffe "Orphée aux Enfers") being at 168 BPM, the half-time would be 84 BPM with a double-time of 336 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Danse Du Sabre | Aram Khachaturian, Jean Claude Borelly | C Major | 6 | 8B | 171 BPM | ||
Eugen Onegin, Op. 24, TH 5: Polonaise | Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra | G Major | 2 | 9B | 103 BPM | ||
Sylvia: Pizzicato (aus Suite) | Léo Delibes, Nurnberger Symphoniker, Räto Tschupp | E♭ Major | 1 | 5B | 131 BPM | ||
L'Arlesienne Suite No. 2: IV. Farandole (arr. E. Guiraud for orchestra) | Ernest Guiraud, Georges Bizet, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | E Major | 3 | 12B | 83 BPM | ||
Carmen (1997 - Remaster), Act III: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 2 | 7A | 132 BPM | ||
Bizet: Carmen: Prelude - Act One | Georges Bizet, Orchestra of the Royal Opera House, Covent Garden | A Minor | 3 | 8A | 118 BPM | ||
Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | C Minor | 3 | 5A | 80 BPM | ||
The Country Doctor / Rooftop Chase - From "The Kid" | Charlie Chaplin | F♯ Major | 4 | 2B | 59 BPM | ||
Symphony Fantastique Op.14: Un Bal, Valse (Allegro Non Troppo) | Alberto Lizzio, South German Philharmonic Orchestra | A Major | 1 | 11B | 177 BPM | ||
Sibelius: Karelia Suite, Op. 11: I. Intermezzo | Jean Sibelius, Helsinki Philharmonic Orchestra, Okko Kamu | D Minor | 2 | 7A | 157 BPM |
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