Georges Bizet, Orchestra of the Royal Opera House, Covent Garden's 'Bizet: Carmen: Prelude - Act One' came out on November 15, 2005. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 35 in Carmen by Georges Bizet. In terms of popularity, Bizet: Carmen: Prelude - Act One is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bizet: Carmen: Prelude - Act One by Georges Bizet, Orchestra of the Royal Opera House, Covent Garden is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Peer Gynt Suite No. 1, Op. 46: 1. Morning Mood | Edvard Grieg, Hallé, Sir John Barbirolli | E Major | 0 | 12B | 79 BPM | ||
The Danube Waves: Donauwellen, Walzer | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | C Major | 2 | 8B | 95 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Pomp & Circumstance, Marches #1,2,3, & 4 | Chicago Symphony Orchestra | G Major | 3 | 9B | 114 BPM | ||
Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM | ||
Eine Kleine Nachtmusik: I. Allegro | Adelaide Symphony Orchestra, Timothy Sexton | G Major | 1 | 9B | 141 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst Stein | C Major | 4 | 8B | 108 BPM |
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