"Le Nozze di Figaro, K. 492: Atto quarto. Scena ultima. Il Conte, Figaro, Basilio, Antonio, Susanna, Barbarina, Cherubino, la Contessa "Gente, gente"" by Wolfgang Amadeus Mozart, Angelika Kirchschlager, Antonio Abete, Concerto Köln, Kobie Van Rensburg, Lorenzo Regazzo, Núria Rial, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens was released on 2004. With this song being about 5 minutes long, at 5:05, "Le Nozze di Figaro, K. 492: Atto quarto. Scena ultima. Il Conte, Figaro, Basilio, Antonio, Susanna, Barbarina, Cherubino, la Contessa "Gente, gente"" by Wolfgang Amadeus Mozart, Angelika Kirchschlager, Antonio Abete, Concerto Köln, Kobie Van Rensburg, Lorenzo Regazzo, Núria Rial, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, René Jacobs's "Mozart: Le nozze di Figaro" album is number 21 out of 62. Based on our statistics, Le Nozze di Figaro, K. 492: Atto quarto. Scena ultima. Il Conte, Figaro, Basilio, Antonio, Susanna, Barbarina, Cherubino, la Contessa "Gente, gente"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Nozze di Figaro, K. 492: Atto quarto. Scena ultima. Il Conte, Figaro, Basilio, Antonio, Susanna, Barbarina, Cherubino, la Contessa "Gente, gente" by Wolfgang Amadeus Mozart, Angelika Kirchschlager, Antonio Abete, Concerto Köln, Kobie Van Rensburg, Lorenzo Regazzo, Núria Rial, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Major | 3 | 2B | 179 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Il mondo della luna / Act 1: Ragion nell'alma siede | Joseph Haydn, Patricia Petibon, Concerto Köln, Daniel Harding | C Major | 2 | 8B | 127 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Requiem in D Minor, K. 626: Sequence: VI. Lacrimosa dies illa | Wolfgang Amadeus Mozart, Mona Julsrud, Wilke te Brummelstroete, Zeger Vandersteene, Jelle Draijer, Netherlands Chamber Choir, Orchestra Of The 18th Century, Frans Brüggen | D Major | 1 | 10B | 141 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Kyrie | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Minor | 2 | 7A | 99 BPM |
Section: 0.7148451805114746
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