"Requiem in D Minor, K. 626: Sequence: VI. Lacrimosa dies illa" by Wolfgang Amadeus Mozart, Mona Julsrud, Wilke te Brummelstroete, Zeger Vandersteene, Jelle Draijer, Netherlands Chamber Choir, Orchestra Of The 18th Century, Frans Brüggen was released on January 1, 2002. The duration of Requiem in D Minor, K. 626: Sequence: VI. Lacrimosa dies illa is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Requiem in D Minor, K. 626: Sequence: VI. Lacrimosa dies illa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Frans Brüggen's "Mozart, W.A.: Requiem in D Minor / Maurerische Trauermusik / Adagio in B-Flat Major" album is number 11 out of 19. Based on our statistics, Requiem in D Minor, K. 626: Sequence: VI. Lacrimosa dies illa's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: Sequence: VI. Lacrimosa dies illa by Wolfgang Amadeus Mozart, Mona Julsrud, Wilke te Brummelstroete, Zeger Vandersteene, Jelle Draijer, Netherlands Chamber Choir, Orchestra Of The 18th Century, Frans Brüggen to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | ||
Rinaldo: Ah! Crudel (Aria) | George Frideric Handel, Alan Curtis | F♯ Minor | 0 | 11A | 141 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Grieg: Peer Gynt, Op. 23, Act IV: No. 18, Solveig's Song | Edvard Grieg, Paavo Järvi, Camilla Tilling, Estonian National Symphony Orchestra | A Minor | 1 | 8A | 169 BPM | ||
Madrigal, Op. 35 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Minor | 0 | 7A | 134 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Regina coeli, K. 108: Quia quem meruisti portare (Soprano, Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | F Major | 0 | 7B | 97 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
King Arthur: Act III, scene 2: Cold Song. Genius : "What Power art thou" | Henry Purcell, Maurice Bevan, Alfred Deller, The King’s Musick | F♯ Minor | 0 | 11A | 82 BPM | ||
Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | B♭ Minor | 2 | 3A | 81 BPM |
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