"Concerto Grosso No. 1: VI. Postlude. Andante" by Alfred Schnittke, David Grimal, Les Dissonances, Hanspeter Hofmann was released on 2010. The duration of Concerto Grosso No. 1: VI. Postlude. Andante is about 3 minutes long, at 3:28. Based on our data, "Concerto Grosso No. 1: VI. Postlude. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 12 in Bernstein & Schnittke by David Grimal, Hanspeter Hofmann, Les Dissonances. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Concerto Grosso No. 1: VI. Postlude. Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso No. 1: VI. Postlude. Andante by Alfred Schnittke, David Grimal, Les Dissonances, Hanspeter Hofmann is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamentate: Lamentabile | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | A♭ Minor | 5 | 1A | 135 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Concerto Grosso No 3 For 2 Violins, Harpsichord and Strings: Risoluto | Alfred Schnittke, Sarah Nemtanu, Deborah Nemtanu, Orchestre de chambre de Paris, Sascha Goetzel | G Major | 3 | 9B | 105 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Schnittke: Piano Quintet: II. In tempo di valse | Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya | B♭ Major | 0 | 6B | 80 BPM | ||
Märchentänze (Orchestral Version): III. A Skylark for Jane | Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon | A Minor | 1 | 8A | 120 BPM | ||
Lachian Dances, JW VI/17: No. 2. Pozehnany (Blessed) | Leoš Janáček, WDR Sinfonieorchester Köln, Gerd Albrecht | F Major | 1 | 7B | 60 BPM | ||
Magnificat | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | F Minor | 0 | 4A | 81 BPM |
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