Widerstehe doch der Sünde, BWV 54: I. Aria "Widerstehe doch der Sünde"
Johann Sebastian Bach, Andreas Scholl, Collegium Vocale Gent, Philippe Herreweghe
Bach: Cantatas for Alto Solo (Remastered)
6:58 January 1, 1998
BPM
114
Key
E Major
Camelot
12B

Embed

Share Link

Widerstehe doch der Sünde, BWV 54: I. Aria "Widerstehe doch der Sünde" - Johann Sebastian Bach, Andreas Scholl, Collegium Vocale Gent, Philippe Herreweghe Information

Acousticness
88%
Danceability
45%
Energy
12%
Instrumentalness
0%
Liveness
11%
Loudness
69%
Speechiness
4%
Valence
27%
Popularity
Loudness
-18.548 dB

Summary

Johann Sebastian Bach, Andreas Scholl, Collegium Vocale Gent, Philippe Herreweghe's 'Widerstehe doch der Sünde, BWV 54: I. Aria "Widerstehe doch der Sünde"' came out on January 1, 1998. Since Widerstehe doch der Sünde, BWV 54: I. Aria "Widerstehe doch der Sünde" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 15 in Bach: Cantatas for Alto Solo (Remastered) by Johann Sebastian Bach, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Widerstehe doch der Sünde, BWV 54: I. Aria "Widerstehe doch der Sünde" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Widerstehe doch der Sünde, BWV 54: I. Aria "Widerstehe doch der Sünde" BPM

The tempo marking of Widerstehe doch der Sünde, BWV 54: I. Aria "Widerstehe doch der Sünde" by Johann Sebastian Bach, Andreas Scholl, Collegium Vocale Gent, Philippe Herreweghe is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Widerstehe doch der Sünde, BWV 54: I. Aria "Widerstehe doch der Sünde" Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Komm, Jesu, komm, BWV 229: II. Aria Komm, Jesu, komm, BWV 229: II. Aria "Drum schliess ich mich in deine Hände"Johann Sebastian Bach, Collegium Vocale Gent, Stephan MacLeod, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Maria Keohane, Robin Blaze, Hans-Jörg MammelA Major211B81 BPM
Juditha Triumphans, RV 644, Pt. 1: Veni, me sequere fida by Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Magdalena KozenáJuditha Triumphans, RV 644, Pt. 1: Veni, me sequere fidaAntonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Magdalena KozenáA Minor28A127 BPM
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto by Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel BarenboimBach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tantoJohann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel BarenboimF Major27B77 BPM
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) by Johann Sebastian Bach, Maurizio Baglini, Marcello Mazzoni, Andrea Padova, Marco Scolastra, I Solisti Filarmonici Italiani, Federico GuglielmoConcerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro)Johann Sebastian Bach, Maurizio Baglini, Marcello Mazzoni, Andrea Padova, Marco Scolastra, I Solisti Filarmonici Italiani, Federico GuglielmoA Minor58A101 BPM
Stabat Mater: 5. Quis est homo by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodStabat Mater: 5. Quis est homoGiovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodB Minor110A80 BPM
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture by Jean-Baptiste Lully, Gustav Leonhardt, La Petite BandeLe Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: OuvertureJean-Baptiste Lully, Gustav Leonhardt, La Petite BandeF♯ Minor111A106 BPM
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisGrande Messe des Morts: II. Introitus: Requiem aeternam - GraveFrancois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisC Minor15A74 BPM
Chiome d'oro, SV 143 by Claudio Monteverdi, Sonia Wieder-AthertonChiome d'oro, SV 143Claudio Monteverdi, Sonia Wieder-AthertonC Major18B119 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo by Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : I. LargoArcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella IstropolitanaA Major111B81 BPM
Vier letzte Lieder, TrV 296: 2. September by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt MasurVier letzte Lieder, TrV 296: 2. SeptemberRichard Strauss, Jessye Norman, Gewandhausorchester, Kurt MasurD Major110B153 BPM
ISRC
FRZ149768060
Label
L-M Records/RCA Records

Section: 0.9734814167022705

End: 0.9805660247802734