Johann Sebastian Bach, Collegium Vocale Gent, Stephan MacLeod, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Maria Keohane, Robin Blaze, Hans-Jörg Mammel's 'Komm, Jesu, komm, BWV 229: II. Aria "Drum schliess ich mich in deine Hände"' came out on May 26, 2011. With Komm, Jesu, komm, BWV 229: II. Aria "Drum schliess ich mich in deine Hände" being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 21 in Bach: Motetten, BWV 225-230 by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Komm, Jesu, komm, BWV 229: II. Aria "Drum schliess ich mich in deine Hände" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Komm, Jesu, komm, BWV 229: II. Aria "Drum schliess ich mich in deine Hände" by Johann Sebastian Bach, Collegium Vocale Gent, Stephan MacLeod, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Maria Keohane, Robin Blaze, Hans-Jörg Mammel is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auf Meinen Lieben Gott, Cantate Bwv 89 | Nicol Matt, Heike Hümmer, Nordic Chamber Choir, Ute Petersilge, Johann Sebastian Bach, Soloists Of The Freiburger Barockorchester, Jörg Halobek, Robert Sagasser, Jens Wollenschläger, Martina Rotbauer | F♯ Minor | 2 | 11A | 104 BPM | ||
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Sinfonia - Aus der Tiefen rufe ich, Herr, zu dir (Chorus) | Johann Sebastian Bach, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | E Minor | 2 | 9A | 138 BPM | ||
Vespro della Beata Vergine, SV 206: II. Psalm "Dixit Dominus" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 0 | 7A | 65 BPM | ||
Officium Defunctorum. Missa pro defunctis: I. Introitus | Tomás Luis de Victoria, Collegium Vocale Gent, Philippe Herreweghe | G Major | 2 | 9B | 77 BPM | ||
Cantata No. 105, 'Herr, gehe nicht ins Gericht' BWV105: Chor: Herr, gehe nicht ins Gericht | Johann Sebastian Bach, Barbara Schlick/Gérard Lesne/Howard Crook/Peter Kooy/Chorus of Collegium Vocale, Ghent/Orchestra of Collegium Vocale, Ghent/Philippe Herreweghe, Philippe Herreweghe, Collegium Vocale Gent | F♯ Minor | 2 | 11A | 103 BPM | ||
Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM | ||
Paulus: I. Teil: Nr. 8 Rezitativ & Choral T "Und sie steinigten ihn" - "Dir, Herr, will ich mich ergeben" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, James Taylor | B Minor | 2 | 10A | 120 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | E Major | 2 | 12B | 73 BPM | ||
Geistliche Chormusik: Die mit Tränen säen, SWV 378 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 68 BPM | ||
Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM |
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