"Rosamunde, D. 797: Entr'acte No. 3: Andantino (Version for voice and orchestra)" by Franz Schubert, Gunda Aurich, Gisela Zoch, Martin Neubauer, Rainer Delventhal, Gert Westphal, Mechthild Georg, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln, Helmuth Froschauer was released on January 1, 2002. With this song being about 5 minutes long, at 5:09, "Rosamunde, D. 797: Entr'acte No. 3: Andantino (Version for voice and orchestra)" by Franz Schubert, Gunda Aurich, Gisela Zoch, Martin Neubauer, Rainer Delventhal, Gert Westphal, Mechthild Georg, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln, Helmuth Froschauer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Schubert, F.: Rosamunde (Excerpts)". In this album, this song's track order is #5. Rosamunde, D. 797: Entr'acte No. 3: Andantino (Version for voice and orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rosamunde, D. 797: Entr'acte No. 3: Andantino (Version for voice and orchestra) by Franz Schubert, Gunda Aurich, Gisela Zoch, Martin Neubauer, Rainer Delventhal, Gert Westphal, Mechthild Georg, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln, Helmuth Froschauer having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento | César Franck, Jean-Pierre Armengaud | F♯ Major | 0 | 2B | 112 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino | Cécile Chaminade, Eric Parkin | B Minor | 0 | 10A | 87 BPM |
Section: 0.6470091342926025
End: 0.6516396999359131