Arnold Schoenberg, Johannes Brahms, Philharmonia Orchestra, Robert Craft made "Piano Quartet No. 1 in G Minor, Op. 25 (arr. A. Schoenberg): III. Andante con moto" available on November 21, 2006. Piano Quartet No. 1 in G Minor, Op. 25 (arr. A. Schoenberg): III. Andante con moto appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Schoenberg, A.: 5 Orchestral Pieces / Brahms, J.: Piano Quartet No. 1 (Orch. Schoenberg)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Piano Quartet No. 1 in G Minor, Op. 25 (arr. A. Schoenberg): III. Andante con moto is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Piano Quartet No. 1 in G Minor, Op. 25 (arr. A. Schoenberg): III. Andante con moto by Arnold Schoenberg, Johannes Brahms, Philharmonia Orchestra, Robert Craft having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Moses und Aron / Act I: Ein Wunder erfüllt uns mit Schrecken (Chor, Mädchen, junger Mann, Mann) | Arnold Schoenberg, Gabriele Fontana, John Graham-Hall, Siegfried Lorenz, Royal Concertgebouw Orchestra, Pierre Boulez | E♭ Major | 2 | 5B | 91 BPM | ||
Meditation: Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Moses und Aron / Act II: Vierzig Tage liegen wir nun schon hier! (Die Ältesten, Priester, 1.-3. Ältester, Aron) | Arnold Schoenberg, Chris Merritt, László Polgár, Jan Pollak, Jef van Wersch, Nico Pouw, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera | D♭ Major | 1 | 3B | 81 BPM | ||
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM |
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