"Moses und Aron / Act II: Vierzig Tage liegen wir nun schon hier! (Die Ältesten, Priester, 1.-3. Ältester, Aron)" by Arnold Schoenberg, Chris Merritt, László Polgár, Jan Pollak, Jef van Wersch, Nico Pouw, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera was released on January 1, 1996. The duration of Moses und Aron / Act II: Vierzig Tage liegen wir nun schon hier! (Die Ältesten, Priester, 1.-3. Ältester, Aron) is about 3 minutes long, at 3:22. Based on our data, "Moses und Aron / Act II: Vierzig Tage liegen wir nun schon hier! (Die Ältesten, Priester, 1.-3. Ältester, Aron)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Schoenberg: Moses und Aron". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Moses und Aron / Act II: Vierzig Tage liegen wir nun schon hier! (Die Ältesten, Priester, 1.-3. Ältester, Aron) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Moses und Aron / Act II: Vierzig Tage liegen wir nun schon hier! (Die Ältesten, Priester, 1.-3. Ältester, Aron) by Arnold Schoenberg, Chris Merritt, László Polgár, Jan Pollak, Jef van Wersch, Nico Pouw, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lose Blätter, Op. 13: No. 12, Choral | Max Reger, Markus Becker | D Major | 0 | 10B | 66 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
D'un Jardin Clair | Lili Boulanger, Daria van den Bercken | B Major | 0 | 1B | 72 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
4 Lieder, Op. 2: No. 2, Jesus bettelt | Arnold Schoenberg, Claire Booth, Christopher Glynn | F♯ Minor | 0 | 11A | 85 BPM | ||
Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio ma non troppo | Antonín Dvořák, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Major | 1 | 7B | 56 BPM |
Section: 0.5512797832489014
End: 0.5560462474822998