Max Reger, Markus Becker's 'Lose Blätter, Op. 13: No. 12, Choral' came out on 2017. With Lose Blätter, Op. 13: No. 12, Choral being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Reger: Piano Concerto, Op. 114 & Solo works". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Lose Blätter, Op. 13: No. 12, Choral is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lose Blätter, Op. 13: No. 12, Choral by Max Reger, Markus Becker having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Håkon Austbø | E♭ Major | 0 | 5B | 78 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Lyric Andante in D Major | Max Reger, Stuttgart Chamber Orchestra, Bernhard Güller | D Major | 0 | 10B | 85 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Requiem in D Minor, K. 626: Lacrimosa (Arr. Spindler for Oboe and Piano) | Wolfgang Amadeus Mozart, Albrecht Mayer, Markus Becker | F Major | 0 | 7B | 112 BPM | ||
Schubert / Transcr. Tharaud: Rosamunde, Op. 26, D. 797: No. 6, Entr'acte No. 3 | Franz Schubert, Alexandre Tharaud | B♭ Major | 1 | 6B | 79 BPM | ||
Trost, Op. 6, No. 1 | Max Reger, Huelgas Ensemble, Paul Van Nevel, Jos Van Immerseel | C Major | 0 | 8B | 82 BPM | ||
Nocturne in F Minor "La séparation" | Mikhail Glinka, Alexei Lubimov | F Minor | 0 | 4A | 100 BPM |
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