Niccolò Paganini, Itzhak Perlman made "24 Caprices, Op.1 (2000 - Remaster): No. 17 in E Flat" available on February 1, 2000. The duration of 24 Caprices, Op.1 (2000 - Remaster): No. 17 in E Flat is about 3 minutes long, at 3:10. Based on our data, "24 Caprices, Op.1 (2000 - Remaster): No. 17 in E Flat" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #17. Based on our statistics, 24 Caprices, Op.1 (2000 - Remaster): No. 17 in E Flat's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 24 Caprices, Op.1 (2000 - Remaster): No. 17 in E Flat by Niccolò Paganini, Itzhak Perlman having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: Violin Sonata No. 2 in A Major, Op. 100: I. Allegro amabile | Johannes Brahms, Itzhak Perlman | A Major | 1 | 11B | 111 BPM | ||
Sonata in G Minor for Violin & Piano, L. 140: 3. Finale (Très animé) | Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy | E Minor | 2 | 9A | 91 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
Vivaldi: Violin Concerto in F Minor, RV 297 "L'inverno" (No. 4 from "Il cimento dell'armonia e dell'inventione", Op. 8): III. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | F Minor | 2 | 4A | 95 BPM | ||
Sonata a violino scordato, MS 118: I. Allegro spiritoso | Niccolò Paganini, Luca Fanfoni, Carlo Cantini, Daniele Fanfoni | G Major | 1 | 9B | 79 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Le streghe, Op. 8, MS 19: Theme (arr. for violin and piano) | Anonymous, Niccolò Paganini, Takako Nishizaki, Terence Dennis | D Major | 2 | 10B | 113 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: IV. Finale: Allegro assai appassionato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 79 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.8 Wilde Jagd (Presto furioso) | Franz Liszt, Daniil Trifonov | F Minor | 2 | 4A | 109 BPM |
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