"Sonata in G Minor for Violin & Piano, L. 140: 3. Finale (Très animé)" by Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy was released on January 1, 1995. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 10 in Debussy: Violin Sonata; Cello Sonata/Ravel: Piano Trio by Itzhak Perlman, Lynn Harrell, Vladimir Ashkenazy, Claude Debussy, Maurice Ravel. In terms of popularity, Sonata in G Minor for Violin & Piano, L. 140: 3. Finale (Très animé) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata in G Minor for Violin & Piano, L. 140: 3. Finale (Très animé) by Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E-Flat Major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | B Major | 1 | 1B | 68 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 168 BPM | ||
Beethoven: 14 Variations on an Original Theme in E-Flat Major, Op. 44: II. Variation 7 | Ludwig van Beethoven, Itzhak Perlman | E♭ Minor | 0 | 2A | 61 BPM | ||
Violin Concerto in D Major: IV. Capriccio | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | G Major | 3 | 9B | 143 BPM | ||
Pictures at an Exhibition: The Tuileries Gardens. Allegretto Non Troppo Troppo, Capriccioso | Modest Mussorgsky, Ivo Pogorelich | E♭ Minor | 0 | 2A | 117 BPM | ||
Glazunov: Violin Concerto in A Minor, Op. 82: II. Andante sostenuto | Alexander Glazunov, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | A♭ Major | 2 | 4B | 108 BPM | ||
Brahms: Violin Sonata No. 2 in A Major, Op. 100: II. Andante tranquillo - Vivace | Johannes Brahms, Itzhak Perlman | F Major | 1 | 7B | 93 BPM | ||
Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | C Minor | 2 | 5A | 125 BPM | ||
24 Preludes, Op. 11: No. 13 in G-Flat Major | Alexander Scriabin, Evgeny Zarafiants | F♯ Major | 0 | 2B | 136 BPM | ||
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM |
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