- BPM
- 83
- Key
- F Major
- Camelot
- 7B
Ave Verum Corpus, K. 618 - Wolfgang Amadeus Mozart, Christian-Pierre La Marca, Patricia Petibon, Thierry Escaich Information
- Acousticness
- 97%
- Danceability
- 13%
- Energy
- 10%
- Instrumentalness
- 79%
- Liveness
- 12%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 24%
- Loudness
- -20.063 dB
Summary
"Ave Verum Corpus, K. 618" by Wolfgang Amadeus Mozart, Christian-Pierre La Marca, Patricia Petibon, Thierry Escaich was released on February 26, 2016. The duration of Ave Verum Corpus, K. 618 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Ave Verum Corpus, K. 618's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 17 in Cantus by Christian-Pierre La Marca, Alexis Kossenko. Ave Verum Corpus, K. 618 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Verum Corpus, K. 618 BPM
The tempo marking of Ave Verum Corpus, K. 618 by Wolfgang Amadeus Mozart, Christian-Pierre La Marca, Patricia Petibon, Thierry Escaich is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Ave Verum Corpus, K. 618 Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | |
 | Laudate pueri in G Major, RV 601 "Salmo 112": III. A solis ortu (Andante) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | A♭ Major | 1 | 4B | 128 BPM | |
 | Dvorák: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Das Münchner Rundfunkorchester | F♯ Major | 1 | 2B | 81 BPM | |
 | Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | |
 | Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | |
 | In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 79 BPM | |
 | Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | |
 | Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | |
 | Sinfonia Concertante for Four Winds in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Jaime Martin, London Symphony Orchestra, Timothy Jones, Juliana Koch, Chris Richards, Rachel Gough | E♭ Major | 0 | 5B | 130 BPM | |
 | Missa in C Major, K. 167: IV. Et incarnatus est | Wolfgang Amadeus Mozart, Camerata Würzburg, Chamber Choir Of Europe, Nicol Matt, Jens Wollenschläger | F Major | 1 | 7B | 109 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6622388362884521
End: 0.6670904159545898