Thomas Morley, Consort Of Musicke, Anthony Rooley made "Madrigals: No, No, No, Nigella" available on September 1, 1983. The duration of Madrigals: No, No, No, Nigella is about 3 minutes long, at 3:02. Based on our data, "Madrigals: No, No, No, Nigella" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Thomas Morley, Consort Of Musicke, Anthony Rooley's "Morley: Ayres and Madrigals" album is number 3 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Madrigals: No, No, No, Nigella's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Madrigals: No, No, No, Nigella by Thomas Morley, Consort Of Musicke, Anthony Rooley to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
La bataille | Clément Janequin, Dominique Visse, Ensemble Clément Janequin | E Major | 3 | 12B | 72 BPM | ||
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
O dolce anima mia, dunque e pur vero | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | A♭ Major | 0 | 4B | 114 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM |
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