- BPM
- 67
- Key
- A♭ Major
- Camelot
- 4B
Sonata No. 13 "Quasi una Fantasia" in E-Flat Major, Op. 27 No. 1: III. Adagio con espressione - Ludwig van Beethoven, Paul Lewis Information
- Acousticness
- 99%
- Danceability
- 43%
- Energy
- 1%
- Instrumentalness
- 90%
- Liveness
- 13%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 9%
- Popularity
- 20%
- Loudness
- -25.06 dB
Summary
"Sonata No. 13 "Quasi una Fantasia" in E-Flat Major, Op. 27 No. 1: III. Adagio con espressione" by Ludwig van Beethoven, Paul Lewis was released on September 25, 2007. The duration of Sonata No. 13 "Quasi una Fantasia" in E-Flat Major, Op. 27 No. 1: III. Adagio con espressione is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Sonata No. 13 "Quasi una Fantasia" in E-Flat Major, Op. 27 No. 1: III. Adagio con espressione's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 32 in Beethoven: Piano Sonatas, Vol.3 by Ludwig van Beethoven, Paul Lewis. Sonata No. 13 "Quasi una Fantasia" in E-Flat Major, Op. 27 No. 1: III. Adagio con espressione is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Sonata No. 13 "Quasi una Fantasia" in E-Flat Major, Op. 27 No. 1: III. Adagio con espressione BPM
The tempo marking of Sonata No. 13 "Quasi una Fantasia" in E-Flat Major, Op. 27 No. 1: III. Adagio con espressione by Ludwig van Beethoven, Paul Lewis is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Sonata No. 13 "Quasi una Fantasia" in E-Flat Major, Op. 27 No. 1: III. Adagio con espressione Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dolly, Op.56: 6. Le pas Espagnol | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 126 BPM | |
 | Piano Sonata in D major, op.53 D.850: Piano Sonata in D major, op.53 D.850: I. Allegro | Franz Schubert, Paul Lewis | A Major | 2 | 11B | 175 BPM | |
 | Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM | |
 | II. February. Shrovetide Festival | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Major | 2 | 10B | 54 BPM | |
 | Rachmaninov: 6 Moments Musicaux, Op. 16: No. 5 in D-Flat Major | Sergei Rachmaninoff, Nikolai Lugansky | F♯ Major | 0 | 2B | 68 BPM | |
 | Lyrische Stücke Op. 62 (Band/Volume VII): Hjemad/Heimwärts/Homeward | Edvard Grieg, Gerhard Oppitz | B Minor | 1 | 10A | 109 BPM | |
 | Etude Op. 10 no. 12 in c minor | Valentina Lisitsa | F Minor | 2 | 4A | 66 BPM | |
 | Sonata for Violoncello and Piano No. 1 in C Minor, Op. 32: III. Allegro moderato | Camille Saint-Saëns, Mischa Maisky, Daria Hovora | C Minor | 2 | 5A | 98 BPM | |
 | Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | |
 | 7 Fantasies, Op. 116: No. 1, Capriccio in D Minor | Johannes Brahms, Emanuel Ax | F Major | 3 | 7B | 156 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6071760654449463
End: 0.6114788055419922