Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen made "La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise" available on January 1, 2005. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. The popularity of La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise by Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen is Presto (very, very fast), since this song has a tempo of 183 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sylphide: Act II: Finale: Pas de deux: Allegro grazioso | Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen | F Major | 1 | 7B | 73 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Don Quichotte, Acte I : Variation : Basilio. Variation : Kitri. | Orchestre de l'Opéra de Sofia | B Minor | 2 | 10A | 130 BPM | ||
Valse-Caprice in E-Flat Major | Anton Rubinstein, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Adagio | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 94 BPM | ||
Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | ||
Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | C Major | 3 | 8B | 134 BPM | ||
小序曲(くるみ割り人形より) | レディス・オーケストラ・ジャパン | B♭ Major | 1 | 6B | 109 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM |
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