"Dutilleux: The Shadows of Time: V. Dominante bleue ?" by Henri Dutilleux, Seiji Ozawa, Boston Symphony Orchestra was released on August 1, 1998. With this song being about 5 minutes long, at 4:46, "Dutilleux: The Shadows of Time: V. Dominante bleue ?" by Henri Dutilleux, Seiji Ozawa, Boston Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 5 in Dutilleux: The Shadows of Time by Henri Dutilleux, Seiji Ozawa, Boston Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Dutilleux: The Shadows of Time: V. Dominante bleue ? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dutilleux: The Shadows of Time: V. Dominante bleue ? by Henri Dutilleux, Seiji Ozawa, Boston Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants d'Auvergne, Vol. 1: No. 3a. L'aio De Rotso (Spring Water) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 186 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Prokofiev: Symphony No. 7 in C-Sharp Minor, Op. 131: I. Moderato | Sergei Prokofiev, Mstislav Rostropovich, Orchestre National De France | A♭ Minor | 2 | 1A | 70 BPM | ||
Petite pièce, L. 120 | Claude Debussy, Michael Collins, Michael McHale | F Major | 1 | 7B | 113 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Dutilleux: Sonatine for Flute and Piano: I. Allegretto - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Major | 0 | 6B | 75 BPM | ||
Petrushka, K12 (1947 Version): IVb. Dance of the Wet-Nurses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM |
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