"Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial" by Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus was released on January 28, 1999. The duration of Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Poulenc: Organ Concerto / Concert Champetre". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial by Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto | Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle | C Minor | 2 | 5A | 89 BPM | ||
A Midsummer Night's Dream, Op. 61, MWV M 13: No. 8, Melodrama. Andante - Allegro molto | Felix Mendelssohn, Swedish Chamber Orchestra, Thomas Dausgaard | B♭ Major | 0 | 6B | 67 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 61: III. Allegramente | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | G Major | 3 | 9B | 89 BPM | ||
Symphony No. 1: II. Scherzo: Molto allegro | Aaron Copland, Bournemouth Symphony Orchestra, Marin Alsop | A Minor | 4 | 8A | 129 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Le travail du peintre: Juan Gris | Paul Éluard, Francis Poulenc, Noël Lee, Bernard Kruysen | E Minor | 1 | 9A | 102 BPM | ||
4 Préludes - Orch. Poulenc: Fête donnée par des Chevaliers Normands | Erik Satie, Orchestre National De France, Charles Dutoit | D Major | 5 | 10B | 121 BPM | ||
Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
Loneliness | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM |
Section: 0.8006925582885742
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