Claude Debussy, Michael Collins, Michael McHale's 'Petite pièce, L. 120' came out on June 1, 2016. With Petite pièce, L. 120 being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "The Lyrical Clarinet, Vol. 2". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Petite pièce, L. 120 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petite pièce, L. 120 by Claude Debussy, Michael Collins, Michael McHale having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Suite De Trois Morceaux, Op. 116 | Benjamin Godard, Samuel Sanders, Paula Robison | G Major | 1 | 9B | 82 BPM | ||
タイスの瞑想曲~歌劇「タイス」より | ロラン・ドガレイユ | D Major | 1 | 10B | 174 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): VI | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Cavalleria rusticana: Preludio - Intermezzo | Yoko Ara, Takehiko Yamada | G Major | 1 | 9B | 92 BPM | ||
Siegfried-Idyll, WWV 103 - Clarinet Solo | Richard Wagner, Luigi Magistrelli | D Major | 0 | 10B | 101 BPM | ||
String Quartet in E Minor: I. Allegro | Giuseppe Verdi, Vertavo String Quartet | D Minor | 2 | 7A | 142 BPM | ||
The Human Comedy, Op. 37: Elegy (Arr. Atovmyan for Cello, Saxophone & Piano) | Dmitri Shostakovich, Alban Gerhardt, Alliage Quintett | A Major | 1 | 11B | 85 BPM | ||
Nocturne No. 6 in D-Flat Major, Op. 63 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: III. Finale. Allegro commodo | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | F Minor | 0 | 4A | 81 BPM |
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