"Repton "Dear Lord and Father of Mankind"" by Hubert Parry, York Minster Choir, John Scott Whiteley, Philip Moore was released on January 7, 2000. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "The Complete New English Hymnal, Vol. 1". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Repton "Dear Lord and Father of Mankind" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Repton "Dear Lord and Father of Mankind" by Hubert Parry, York Minster Choir, John Scott Whiteley, Philip Moore having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tambourin | Francois-Joseph Gossec, James Galway, Charles Gerhardt, National Philharmonic Orchestra | F Major | 2 | 7B | 143 BPM | ||
4 Songs, Op. 13: No. 3. Sure on this shining night | Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer | B♭ Major | 0 | 6B | 101 BPM | ||
Songs of Farewell: No. 1, My Soul, There Is a Country | Hubert Parry, Liverpool Cathedral Choir, David Poulter | G Major | 1 | 9B | 109 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Te Deum laudamus" Allegro | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 3 | 8B | 112 BPM | ||
Thalben-Ball: Elegy | George Thalben-Ball, Ian Tracey | G Minor | 0 | 6A | 98 BPM | ||
Nocturnes: III. Sure On This Shining Night (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 105 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Nachtlied, Op. 138, No. 3 | Max Reger, Windsbacher Knabenchor, Martin Lehmann | B Minor | 0 | 10A | 69 BPM | ||
Jerusalem "And Did Those Feet in Ancient Time" | Hubert Parry, Salisbury Cathedral Choir, John Challenger, David Halls | D♭ Minor | 0 | 12A | 133 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM |
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