"Nachtlied, Op. 138, No. 3" by Max Reger, Windsbacher Knabenchor, Martin Lehmann was released on June 28, 2019. The duration of Nachtlied, Op. 138, No. 3 is about 3 minutes long, at 3:01. Based on our data, "Nachtlied, Op. 138, No. 3" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Nachtlied, Op. 138, No. 3 and no other songs are present in the album, we classify this track as a single. Furthermore, we believe that the track originated from Germany. Nachtlied, Op. 138, No. 3 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nachtlied, Op. 138, No. 3 by Max Reger, Windsbacher Knabenchor, Martin Lehmann having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herren sterben | Johannes Brahms, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | G Major | 1 | 9B | 166 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Softly and gently | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
Drei sechsstimmige Chöre, op. 39: I. Schweigen | Max Reger, Norddeutscher Figuralchor, Jörg Straube | G Major | 0 | 9B | 78 BPM | ||
Exaudiat te Dominus (Psalm 19): Domine salvum | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Minor | 1 | 3A | 171 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Ein deutsches Requiem, Op. 45: 7. Chor: "Selig sind die Toten, die in dem Herrn sterben" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | F Major | 1 | 7B | 92 BPM | ||
Evening Service In G Minor (Z.231): Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM | ||
Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 83 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM |
Section: 0.7461199760437012
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