"Ocho Canciones Vascas para soprano y orquesta (1931): IV. Tun, kurrun, kutun" by Maria Bayo, Euskadiko Orkestra Sinfonikoa, Cristian Mandeal was released on January 1, 1999. With Ocho Canciones Vascas para soprano y orquesta (1931): IV. Tun, kurrun, kutun being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 13 in Basque Music Collection, Vol. III: Jesus Arambarri by Maria Bayo, Euskadiko Orkestra Sinfonikoa & Cristian Mandeal. Ocho Canciones Vascas para soprano y orquesta (1931): IV. Tun, kurrun, kutun is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ocho Canciones Vascas para soprano y orquesta (1931): IV. Tun, kurrun, kutun by Maria Bayo, Euskadiko Orkestra Sinfonikoa, Cristian Mandeal is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Postouro sé tu m'aymo | Joseph Canteloube, Maria Bayo, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez | A Minor | 2 | 8A | 95 BPM | ||
Sinfonia a Granada: I. … paisajes con fabricas de suenos (… landscapes with dream factories) | Lorenzo Palomo, Maria Bayo, Luis García Montero, Vicente Coves, Granada City Orchestra, Jean-Jacques Kantorow | F♯ Minor | 2 | 11A | 104 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
La Clemenza di Tito: Atto primo, scena V. No.7 Duetto Annio, Servilia "Ah perdona il primo affetto" | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs, Sunhae Im, Marie-Claude Chappuis | A Major | 1 | 11B | 97 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Ocho Canciones Vascas para soprano y orquesta (1931): I. Txalopin txalo | Euskadiko Orkestra Sinfonikoa, Maria Bayo, Cristian Mandeal | G Major | 0 | 9B | 75 BPM | ||
7 Canciones Populares Españolas: El pano moruno | Teresa Berganza, Juan Antonio Alvares Parejo | B Minor | 0 | 10A | 118 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
Idaspe: "Ombra fedele anch'io" | Riccardo Broschi, Akademie für Alte Musik Berlin, Vivica Genaux, René Jacobs | D♭ Major | 1 | 3B | 175 BPM |
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