"Idaspe: "Ombra fedele anch'io"" by Riccardo Broschi, Akademie für Alte Musik Berlin, Vivica Genaux, René Jacobs was released on 2002. Idaspe: "Ombra fedele anch'io" appears to be safe for all ages as it is not explicit. The song is number 2 out of 11 in Arias for Farinelli by Vivica Genaux, Akademie für Alte Musik Berlin, René Jacobs. The popularity of Idaspe: "Ombra fedele anch'io" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Idaspe: "Ombra fedele anch'io" by Riccardo Broschi, Akademie für Alte Musik Berlin, Vivica Genaux, René Jacobs is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) | Tafelmusik Baroque Orchestra | E Minor | 1 | 9A | 89 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Semiramide: Sento l'amica speme (Semiramide) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 2 | 6B | 132 BPM | ||
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | ||
Marc'Antonio e Cleopatra: Aria "Morte col fiero aspetto" | Johann Adolf Hasse, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | F♯ Minor | 2 | 11A | 125 BPM | ||
Armide, Act II, Scene 5: "Enfin, il est en ma puissance" (Armide) | Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale | D Minor | 2 | 7A | 141 BPM | ||
Griselda, Op. 114, Atto Secondo, Scena 3: Aria. Agitata da fiera procella (Corrado) | Alessandro Scarlatti, Kobie Van Rensburg, Akademie für Alte Musik Berlin, René Jacobs | F♯ Major | 1 | 2B | 92 BPM | ||
The Contest Between Phoebus and Pan, BWV 201: Aria Pan "Zu Tanze, Zu Sprunge, So Wackelt Das Herz" | Johann Sebastian Bach, Akademie für Alte Musik Berlin, Andreas Scholl, René Jacobs | E Major | 2 | 12B | 152 BPM | ||
Membra Jesu nostri, BuxWV 75: Ib. Ad pedes: Salve mundi salutare | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
O leggiadri occhi belli | Anonymous, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 73 BPM |
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