"If the Silver Bird Could Speak" by Eleanor Alberga, Thalia Myers was released on April 1, 2012. The duration of If the Silver Bird Could Speak is about 3 minutes long, at 3:00. Based on our data, "If the Silver Bird Could Speak" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Spectrum / Spectrum 2". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. If the Silver Bird Could Speak is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With If the Silver Bird Could Speak by Eleanor Alberga, Thalia Myers having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Growing Up Is Hard to Do | Andrea Datzman | C Major | 3 | 8B | 120 BPM | ||
Le canon, les animas (frontière Bolivie-Chili) | Georges Garvarentz, Raymond Lefèvre | F♯ Major | 1 | 2B | 79 BPM | ||
Snow-White and the Seven Dwarfs: Narration VII (Mirror, Jockey, Snow White) | Eleanor Alberga, Danny DeVito, Joanna Lumley, Griff Rhys Jones, Taliesin Orchestra, Peter Ash | F♯ Minor | 1 | 11A | 165 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: II. Episodes: V | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | E Minor | 0 | 9A | 110 BPM | ||
Bourrée fantasque (Arr. for Violin and Orchestra by Thibault Perrine) | Emmanuel Chabrier, Alexandra Soumm, Orchestre de chambre Pélléas, Benjamin Lévy | C Major | 2 | 8B | 113 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 5, Schattenhaft | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: VI. Variation M, Percussion. Moderato | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | D Major | 2 | 10B | 148 BPM | ||
Jess Danger | Bev Saunders | E♭ Minor | 0 | 2A | 75 BPM | ||
Ma mère l'oye (Cinq pièces enfantines), M. 62: I. Pavane de la Belle au bois dormant | Maurice Ravel, Paavo Järvi, Cincinnati Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
Sinfonietta: II. Andante | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 80 BPM |
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