"Ma mère l'oye (Cinq pièces enfantines), M. 62: I. Pavane de la Belle au bois dormant" by Maurice Ravel, Paavo Järvi, Cincinnati Symphony Orchestra was released on February 24, 2004. With Ma mère l'oye (Cinq pièces enfantines), M. 62: I. Pavane de la Belle au bois dormant being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Ravel: Orchestral Works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Ma mère l'oye (Cinq pièces enfantines), M. 62: I. Pavane de la Belle au bois dormant is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma mère l'oye (Cinq pièces enfantines), M. 62: I. Pavane de la Belle au bois dormant by Maurice Ravel, Paavo Järvi, Cincinnati Symphony Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1: I. Moderato | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 1 | 9B | 122 BPM | ||
Romeo and Juliet (2nd suite), Op.64ter: Romeo and Juliet, Suite No. 2, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Minor | 2 | 7A | 82 BPM | ||
Debussy: Sonata for Flute, Viola and Harp, CD 145, L. 137: II. Interlude. Tempo di minuetto | Claude Debussy, Markus Klinko, Benoît Fromanger, Pierre Lénert | F♯ Major | 1 | 2B | 68 BPM | ||
Piano Trio in D Minor, Op. 120: III. Allegro vivo | Gabriel Fauré, Florestan Trio | G Major | 1 | 9B | 97 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Variations on a Rococo Theme, Op. 33 (Arr. Malzew for Cello, Piano & 4 Saxophones): Var. 3. Andante sostenuto | Pyotr Ilyich Tchaikovsky, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Variations on a Theme of Chopin, Op. 22: Var. 22 in C Major. Maestoso – Meno mosso – Presto | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Hommage à Haydn, CD 123 | Claude Debussy, Steven Osborne | A♭ Major | 0 | 4B | 69 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM |
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